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Studio shots of me-19.JPG

    As what one might expect from someone growing up in the shadow of the Eastman Kodak tower in Rochester, New York, Jamison has always had a camera in his hands. When he began to attend the Rochester Institute of Technology, his love for photography translated into a love for glass. Using these two mediums, through romance and melancholy, Jamison weaves image and narrative that neither medium can tell on their own. Glass activates the image, the relationship between the lens and the photograph is not happenstance, but symbiosis. 

 

  Recently, through glass casting, Jamison is translating the flat, 2d photograph into sculpture by relying on the natural impurities within the glass. Under illumination, the transparent image projects itself through the casting. Along it’s depth, the phantoms of dust, saw marks, finger prints, and scratches capture smatterings of image before terminating at the coldworked surface, rendering image as sculpture.

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